Architectural And Cultural Guide Pyongyang Pdf Files

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Pyongyang
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Book: Pyongyang Architectural and Cultural Guide Philipp Meuser's two-volume book set, entitled 'Pyongyang: Architectural and Cultural Guide', is an architectural guide to North Korea's capital. Volume 1 is perfect for the suitcase and should pass muster with even the most switched-on border guard. Read honest and unbiased product reviews architectural and cultural guide pyongyang download free download architectural and cultural guide pyongyang written by philipp Sub Saharan Africa Architectural Philipp Meuser Free Download, Architectural And Cultural Guide Pyongyang Pdf Files.

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Product Information

  • 'Ambitiously designed community buildings, faceless mass housing developments, and a monumental emptiness are the defining features of Pyongyang - a city of three million inhabitants rising from rubble after the Korean War of the 1950s. This guide offers unprecedented insights into the capital of what is probably the most isolated country in the world, ruled in the third generation by a 'first family' stubbornly upholding its own brand of stone-age communism.'
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Product Identifiers

  • DOM Publishers
  • 3869221879
  • 9783869221878
  • 111141749

Product Key Features

  • Paperback
  • 2012
  • English

Additional Product Features

Architectural And Cultural Guide Pyongyang Pdf Files
  • 1 Vol.
  • 23
  • Yes
  • 720.95193
  • 2012
  • 368 Pages
  • Na1570.2.P9p9 2012
  • 2012-03-15
  • What's behind North Korea's strange architecture? Pyongyang's unique streetscape opens a window on a secretive regime Pyongyang is one of the least accessible big cities in the world, but for visitors who manage to spend time there, it's not unusual to come away impressed--sort of. North Korea may be an economic basket case, but its capital manages a certain Washington-like splendor: It's a city of sweeping boulevards lined with multistory office and housing complexes, wide squares, and grassy river banks studded with monuments. But visitors also tend to develop a few questions. Why is most of the populace walking, with just a sprinkle of automotive traffic on those vast boulevards? Why does so little light shine from the windows of the giant apartment buildings? Why does the tallest building in the city, the 105-story, pyramid-shaped Ryugyong Hotel erected in 1987, remain an uncompleted shell? An impulse to come to terms with one of the world's strangest cities animates 'Architectural and Cultural Guide Pyongyang' (DOM Publishers). In two volumes, the appropriately strange new book pairs a reprint of the North Korean government's own guide to its capital (long available to foreigners browsing Pyongyang bookstores; I acquired my copy on a visit more than two decades ago) with a collection of essays by outsiders about what, exactly, we're seeing here. The editor, Berlin architect Philipp Meuser, describes the work as 'a paradoxical attempt to lend normalcy to the abnormal.' A Western architecture guide to an Eastern city that receives few Western visitors is a curious thing to start with. Beyond that, some might find it almost indecent to think of Pyongyang as an aesthetic achievement. After all, the most towering fact about North Korea isn't its buildings but the dire circumstances of its people--a country of 24 million now entering the third generation of rule by a dynasty of dictators whose early run of economic policy successes sputtered to an end a half-century ago. But buildings are valuable aids to understanding any society, and perhaps even more so when it comes to one of world's most isolated and secretive regimes. The city's centrally planned skyline, its huge empty avenues and libraries and stadiums, reflect a very particular fusion of Korean culture with socialist ideology. And the streetscape of Pyongyang tells much of the story of North Korea: the gulf between the strange ambitions of the buildings and the often invisible citizens for whom they are notionally built. Pyongyang was originally a provincial seat--known around the turn of the 20th century as the Jerusalem of the Far East, thanks to the success of resident American Protestant missionaries in converting people and establishing churches. Its fortunes changed sharply in 1945, when Josef Stalin sent troops into the northern half of Korea to accept the Japanese surrender of the territory; he installed Kim Il Sung as its ruler and made Pyongyang the capital of the newly partitioned country. The city was nearly flattened by US aerial bombardment in the Korean War, presenting Kim an opportunity after the Armistice to 'reconstruct the city from the ground up' as Ahn Chang-mo of South Korea's Kyonggi University notes in his history chapter in Meuser's book. What resulted, he writes, was something unique: 'a new city with an architecture that approximates the ideals of socialism more closely than any other socialist city.' In planning Pyongyang, Kim initially tried to break down the barriers between private and working areas by building communal day care centers and even group kitchens. A large part of the goal was freeing up women for work outside the home: With most North Korean men destined to spend at least a decade in military service, visitors even today note that much of the society's productive work is done by women., The well-publicized (albeit failed) launch of a satellite by North Korea last month sent a signal to the international community: Kim Jong-un is carrying on in the brinksman-like tradition of his father Kim Jong-il. Between them, they've built and maintained what is arguably the most isolated country on the planet - the Democratic Peoples Republic of North Korea or DPNK. Most of us will never visit the country, or see the grand monuments or stadia of its capital, Pyongyang. Philipp Meuser is an architect and general planner for several German embassies. He's also head of Dom Publishers, and the editor of a beautiful and eerie two volume architectural and cultural guide for North Korea's capital city. NPR interview of publisher Philipp Meauser on the show Word of Mouth May 2, 2012, For armchair travelers, a new two-volume architectural guide to Pyongyang offers a fascinating look via photos and commentary. Architectural and Cultural Guide Pyongyang (DOM Publishers) pulls back the curtain to shed light on this very strange and isolated capital city. - Jayne Clark, USA TODAY Travel, PYONGYANG: ARCHITECTURE AND THE PROWESS OF PROPOGANDA Pyongyang is the perfect model for the urban-utopian ideal. Solitary and self-contained, the capital of North Korea rises above the rural landscape into a forest of white skyscrapers and a flora of evenly planted municipal multiplexes. Published and edited by German-based DOM, the Architectural and Cultural Guide: Pyongyang is truly a diamond in the rough, with a bevy of photos previously inaccessible to Western eyes. After all, how often do you come across a two-volume guide to an unknown place that resembles Lando Calrissian's Cloud City? North Korea and the Pyongyang cityscape subscribe to the Juche ideology of self-reliance. Within Juche philosophy and the tenants of socialism, it is the duty of the architect to serve the people, since it's the masses that represent the state in socialist systems. Dually, the architects' responsibility is to balance history with the future, reflection with transformation. The 'Urban Revolution' was a socialist expression of the commitment to cultural openness and to showcasing nationalism. Over the past century, Korea has been a nation divided through Japanese colonialism, World-War II, and Soviet intervention, ending finally with the Korean War (1950-1953). Since then, much of the city has been rebuilt; Architectural and Cultural Guide: Pyongyang subsequently chronicles North Korea's progress by organizing the guide into various chapters ranging from Residential Buildings to Cultural Venues to Monuments and Transportation Infrastructure. As North Korea's first Prime Minister, Kim Il-sung saw his principal duty as reducing the differences in the quality of life for workers and peasants and to promote communal life as an alternative to life in nuclear families. Images of the capital started to emerge out of peace-talks in 2000 between Kim Jong-il and Kim Dae-jung. South Koreans reacted to their northern brother with bewilderment and surprise: 'We had not been prepared to encounter this glowing, progressive face of the North Korean capital.' The periphery of Pyongyang is devoted mostly to public buildings and multi-story residential complexes. After North Korea's liberation from Japanese forces in the late 1940's, all attention focused on satiating the people's most fundamental needs: housing and a place to cook and eat. The country soon adopted the architectural theories and urban design principles of the occupying Soviet forces. The project of building detached family homes was soon dropped due to the drastic housing shortage in favor of Soviet-inspired multi-story buildings. As the guide explains in 'Volume Two: Korean Architecture,' '[Pyongyang's] low-density sets it apart from capitalist metropolitan cities, but it is not exclusively a reflection of the ideals of socialist urban planning. Rather, it is also a consequence of the dichotomy between North and South Korea. The strained political relations between the two Korean states prompted North Korea to minimize the danger of damage to buildings in possible acts of war by allowing for greater distanced between buildings. Thus Pyongyang is not only a socialist city, but also a city designed to cope with warfare.' Socialist design principles were thus adopted: Sufficient natural light and fresh-air, a solid balance between private and working areas, a communal kitchen, day care centers, kindergartens, and schools. The codification of urbanization started in the 1970's with several aims: opening road traffic, enlarging parks, showcasing the cultural heritage, planning public cultural facilities and protecting residential areas against environmental pollution to underscore the uniqueness of socialism. The Architectural and Cultural Guide: Pyongyang truly stands out amongst all other design reads because it manages to capture this seemingly paradoxical 'uniqueness of socialism' beautifully through over 300 pages of color photographs., Architectural and Cultural Guide Pyongyang is a powerful, two-volume set packed with architectural and cultural insights on a region of the world architects rarely get a chance to glimpse: North Korea. This is an in-depth and multi-faceted reference that serves as a travel guide, cultural survey and architectural review and blends photos of buildings under construction with those of North Koreans and other subjects. Of particular interest are essays that offer social, political and cultural observations and insights as well as architectural specifics. While this set most likely will appeal to and be purchased by arts collections strong in architecture, it's reviewed here for its specific and notable interest to any collection strong in North Korean issues and culture. Simply an unparalleled pick. August 2012 Issue of Midwest Book review, Chances are, you aren't going to North Korea any time soon. But armchair travelers can take a virtual tour with 'Architectural and Cultural Guide Pyongyang,' edited by Philipp Meuser (DOM Publishers, $49.95). It's a two-volume set, the first of which contains photographs and descriptions from the North Korean government's Pyongyang Foreign Languages Publishing House. The contract required Mr. Meuser to run the images with the official captions, without critical commentary. So volume two provides more photos, history and context, with essays on topics like urban planning, mass gymnastics and propaganda posters. 'Setting aside the glaring issues of human rights and social self-determination, Pyongyang is arguably the world's best preserved open-air museum of socialist architecture,' writes Mr. Meuser, who visited the country three times while researching the book. It is 'a cabinet of architectural curiosities.' Chances are, you aren't going to North Korea any time soon. But armchair travelers can take a virtual tour with 'Architectural and Cultural Guide Pyongyang,' edited by Philipp Meuser (DOM Publishers, $49.95). It's a two-volume set, the first of which contains photographs and descriptions from the North Korean government's Pyongyang Foreign Languages Publishing House. The contract required Mr. Meuser to run the images with the official captions, without critical commentary. So volume two provides more photos, history and context, with essays on topics like urban planning, mass gymnastics and propaganda posters. 'Setting aside the glaring issues of human rights and social self-determination, Pyongyang is arguably the world's best preserved open-air museum of socialist architecture,' writes Mr. Meuser, who visited the country three times while researching the book. It is 'a cabinet of architectural curiosities.' A version of this article appeared May 26, 2012, on page C18 in the U.S. edition of The Wall Street Journal, with the headline: Visions of the Hermit Kingdom, North Korea Has Some Of The World's Most Spectacular Architecture German architect Philip Meuser offers a rare glimpse into one of the most secretive states in the world in his book Architectural and Cultural Guide Pyongyang. 'Part of my motivation for this book was to do a guide book to a place that you can't even visit,' Meuser said in an interview with Aaron Britt of Dwell. 'I want to show that North Korea is real and that Pyongyang is real, but for an American they're also totally virtual. It's like Google Street View. You see things all over the world, but you never really leave your computer.' Meuser also points out that because Pyongyang was almost completely destroyed after the Korean War, most of the buildings were built in the last 60 years and are 'interpretations of historical Korean architecture.' Dina Spector - Business Insider June 2, 2012 - quote is from an interview by Aaron Britt for Dwell - Feb 9, 2012., Architectural and Cultural Guide Pyongyang from DOM Publishers is actually made up of two guides: Volume 1 is a guide from the Pyongyang Foreign Languages Publishing House, published without comment; Volume 2 features illustrated essays by editor Philip Meuser and other contributors, focusing on urban and architectural history, propaganda, spatial production, and an outsider's experience of the city of 3 million. The former is clearly a means of propaganda by the North Korean government (the guide's publication date coinciding with the 100th anniversary of Kim Il-sung's birth, aka 'Year 1 of the new era,' can also be read in this way), but one that functions differently than other guidebooks: Instead of existing as a companion to a visit, it is a substitute for seeing the city in person, even as the country appears to be opening its borders to more foreigners recently (journalists, mainly). Volume 1 is laid out similarly to other architecture guides, broken down into chapters by building type: Urban Planning, Residential Buildings, Cultural Venues, Education and Sport, Hotels/Department Stores, Transport Infrastructure, Monuments. Of course these are not typologies exclusive to North Korea, but their expression and cohesion in a Socialist utopia (or nightmare) is what makes the city and the book so unique. Volume 2 breaks through the official language and photography of Volume 1 to present first-hand accounts and researched histories of Pyongyang. Meuser's introduction for 'The Illicit Guidebook' lays out both the second volume's essays and the city itself; the latter via helpful aerial views from the Juche Tower, a blazing monument to the 'state's ideology scripted by Kim Il Sung,' as the Volume 1 description reads. The essays that follow the introduction can be fairly academic, yet they are highlighted by Meuser's first-person stroll through the city and his highlighting of the state's propaganda posters and artwork. More propaganda occurs in the excerpted text 'On Architecture' (1991) by Kim Jong-il, which paints architecture as the expression of national character. Yet it is the abundant illustrations throughout the two volumes that are the most illuminating and valuable pieces in the guide; they give a broad and colorful insight into a place that is portrayed in a particular light depending on one's locale. Pyongyang is a city that appears stuck in mid-20th-century socialist modernism (minus the glass-skinned Ryugyong Hotel), but then there is Architecture 11: RIBA Buildings of the Year, a celebration of contemporary architecture in all of its pluralism. RIBA's recap of recent architecture in England, Scotland, Wales, and Northern Ireland presents what seems like hundreds of award-winning buildings. Winners, and in some cases runners-up, are grouped by prizes: Sterling Prize, Lubetkin Prize, International Awards, Manser Medal, Stephen Lawrence Prize, etc. Most fall under the RIBA Awards, which are organized by geography; not surprisingly, a great number are located in London. Tony Chapman's introductory 'snapshot of the profession' paints a fairly negative picture of things -- 'such is the profession's current state' -- but the wealth of good buildings found within the handsome book (I particularly like the chip board cover in Merrell's design) is for this reader a positive sign. - Written by archidose A Weekly Dose of Architecture. Posted on April 23, 2012.
  • Philipp Meuser